Meet the Heart of Our Team: A Collective of Talent, Expertise, and Dedication

Andrew Godwin is an accomplished Re-Recording Mixer, bringing decades of experience to the art of sound for television and film. After leaving school, Andrew was determined to work in a recording studio. Inspired by a live music mixer at the BBC, he landed his first job in the early 1990s at Trevor Horn’s Sarm Studios as a tape operator, working with acts such as George Michael and The Pet Shop Boys—editing on analogue multitrack tapes.

In the late 1990s, Andrew transitioned from music to TV, joining Telecine as a Studio Assistant to Bob Jackson and Mike Narduzzo, who were mixing high-end documentaries. His journey then took him to The Farm, where he started as a T-Layer and progressed to mixer. After mixing documentaries and reality shows, he found his passion in Scripted Comedy with shows like Peep Show and Gavin and Stacey, which paved the way for him to mix dramas such as Skins and George Gently—a path he continues to follow today.

Andrew loves the creative challenge of lifting a show purely through sound, collaborating with directors and sound teams to make each project more engaging for the viewer. Notable credits include The Mighty Boosh (BBC), Kiss Me First (Netflix), Gold Digger (BBC), Riviera (Sky), Boarders (BBC), Doc Martin (ITV), and Moonflower Murders (BBC).

Danny Mulvenna is a Sound Editor at The Farm, shaping everything from dialogue to sound design before it goes to the mix stage. With three years in the industry and a lifelong passion for sound, music, and art, Danny brings a fresh and dynamic approach to every project.

He’s particularly enjoyed working on feature documentaries, with a highlight being Spacewoman, where he tackled the challenge of designing the liftoff and space shuttle interior scenes to help tell the story of an inspiring woman’s journey. Beyond documentaries, Danny has also lent his skills to projects like a recent youth initiative short film—a proud moment that underscores his love for seeing stories come alive on the big screen.

When he’s not editing, Danny enjoys making electronic music and visuals, drawing on the same creativity and energy that inform his sound work. Every new project brings fresh challenges and possibilities, and that’s exactly what keeps Danny connected to his craft.

While at university in London, David formed a band gigging around the capital and going as far afield as CBGBs in New York and Japan. When the all-elusive recording contract failed to materialise, he jumped at the chance of running at Chrysalis TV where most of the post-production and studio filming was done for MTV. With a love of timing and Tetris, he decided editing could be something he could be good at and soon found himself in the edit suites cutting together programmes for MTV’s new presenters Davina McCall, Trevor Nelson, Zane Lowe, Cat Deely and Edith Bowman.

In 1997 he moved to Evolutions TV where he started cutting multi-camera live performances for bands at gigs and festivals around the world, including Coldplay, REM, Red Hot Chili Peppers, The Who, Foo Fighters, and Kaiser Chiefs, Kings Of Leon and Amy Winehouse.

He also branched into comedy, teaming up with Dom Joly to make Trigger Happy TV and going on set to edit The Thick of It. Other comedy credits include Armando Iannucci’s 2004:The Stupid Version, Stewart Lee’s Comedy Vehicle, The Impression Show, Facejacker, QI and more recently 21 Series of Taskmaster. From there David broadened his work across an eclectic mix of genres including entertainment, factual programming, reality and documentaries.

Gibran Farrah is an accomplished Re-Recording Mixer and ADR Mixer with over a decade of experience working in HETV drama and film sound. He began his career as an ADR Mixer at Boom Post, where he quickly rose to prominence as one of London’s top ADR recordists. His early work on renowned productions like The Crown, Game of Thrones, and Chernobyl established his reputation for precision and creativity in capturing and enhancing performance.

Building on this foundation, Gibran has seamlessly transitioned into the mixing world, contributing as an assistant mixer on high-profile series such as Boat Story and Black Mirror. His expertise and collaborative approach have earned him co-mixing credits on major projects, including Get Millie Black (HBO & Channel 4), Outrageous (U & Britbox), and All Creatures Great & Small (PBS & Channel 5).

With a meticulous ear for detail and a dedication to elevating every mix, Gibran brings a dynamic energy and wide skillset to every production. Out of the studio he is an accomplished guitarist in several bands, with a number of album credits to his name.

With over a decade of experience in Post-Production, Jake Mably has developed a reputation for delivering high-end unscripted television content. Starting as a runner and working his way up through edit assisting and editing roles, he has gained a deep understanding of the entire Post-Production process.

His ability to take a project from offline edit through to online and final delivery sets him apart as a well-rounded and resourceful editor. As an Offline Editor, he has played a key role in shaping shows like I Literally Just Told You, The Chris and Rosie Ramsey Show, and The Lateish Show with Mo Gilligan, and has been the second editor on The Graham Norton Show for several years. As an Online Editor, he has worked on numerous projects and is skilled in grading on Avid Symphony—recently showcased in Joe Lycett vs Sewage. His ability to navigate between roles allows him to bring a fresh perspective and creative flexibility to every production.

In addition to entertainment shows, Jake enjoys working on documentaries and music specials that showcase his passion for storytelling. His documentary credits include Grayson Perry’s Art Club, Mortimer and Whitehouse: Gone Fishing, and The Misadventures of Romesh Ranganathan. He has also contributed to a wide range of Music and Awards shows, including BAFTA, The Royal Variety Performance, and Katy Perry: Night of a Lifetime. For Jake, the best part of post-production is the opportunity to collaborate with creative teams and bring a diverse mix of projects to life with precision and style.

Jason is an Emmy and RTS-winning, BAFTA-nominated online editor, celebrated for his work on high-end film, television, and VFX. With more than three decades of experience in post-production, he is known for his seamless blend of creativity, technical expertise, and innovative thinking.

Jason’s versatility allows him to thrive across multiple genres. From the fast-paced world of Netflix’s Emmy-winning Drive to Survive, to gripping documentaries like Flight 149: Hostage of War and American Nightmare, and live concert films for global superstars such as Adele and U2, his breadth of work reflects his ability to elevate any project to the highest standard.

With a decade of experience in Sound Editing and Design, Jason made a journey from humble beginnings in the Midlands to a Sound Editor at The Farm in London. Starting as a runner and edit-assisting at various Bristol Post Houses, he eventually landed a Sound Editor role where his talent truly shines.

Jason's work has spanned a range of high-profile projects, each pushing the boundaries of immersive sound. A career highlight was The Lost Children, which involved weeks of research and custom sound recordings to recreate the haunting Amazon Rainforest in Dolby Atmos.

He is driven by the excitement of transforming ideas into rich soundscapes and collaborating closely with directors, bringing their ideas to life - it’s the passion and detail he brings to every frame that makes all the difference.

Jonno Field is a Senior Online Editor at The Farm, finishing shows to the highest standard and ensuring they’re broadcast-ready. Jonno’s career in television began in 1987 in Wiltshire, before moving to London in 1989. Over the years, he has worked at several major Soho post houses, bringing a wealth of experience and a deep understanding of the technical and creative processes behind exceptional television.

Reflecting on the changes in technology since he started, Jonno appreciates how far the industry has come—no longer wrestling with ten VT machines to sync up simultaneously, but instead harnessing advanced tools that make the creative process more accessible and dynamic. Jonno has worked across a wide range of genres and projects, from iconic shows like Blind Date and the original Gladiators, to comedy staples such as I’m Alan Partridge and Billy Connolly’s World Tour of Scotland; and even cooking shows with Jamie Oliver and Gordon Ramsay.

Being part of award-winning and groundbreaking series such as Educating Essex has been a career highlight, cementing Jonno’s reputation for quality, creativity, and dedication to the craft of Post-Production.

With almost 25 years in Audio and a total of 30 years in Post-Production, Liam Milner is a highly experienced and versatile Re-Recording Mixer at The Farm. His passion for Funk, Hip Hop and Electronica vinyl led him to a career in sound, working on a variety of projects with unique Audio needs. From designing the sound of the "smell of death" in Paranormal Witness, yeti growls in Russian Yeti, the Rapture in Revelation: End of Days and Black Hawk Down in No Man Left Behind; to dancing, unruly teen Geordies in Geordie Shore and Mary Berry's soufflé.

Liam is happiest working on projects that needs a little love and audio magic sprinkled liberally, but his biggest passion is working on Documentaries, because they have the power to bring to life untold stories in an informative and entertaining way.

A bank of faders, a drive full of whooshes and bangs, and a challenging brief, are all that Liam needs to put his magic to work. And the excitement of knowing that millions of people are hearing his work: there is nothing better than that.

Lydia is a re-recording mixer who has received much praise for her work over the years. Her instinctive ear and technical precision have established her as a valued collaborator across many shows.

She began her career in factual programming almost a decade ago, refining her skills on documentaries and factual entertainment for major broadcasters including BBC, Channel 4, and Discovery. Since joining The Farm, Lydia has carved out a strong reputation in the world of comedy entertainment, mixing hit shows such as The Big Fat Quiz of the Year, Michael McIntyre’s The Wheel, and Blankety Blank. She is also increasingly sought after in the world of high-end documentary, with recent credits including JFK: One Day in America, Formula 1: Drive to Survive, and Saudi Pro League: Kickoff. Most notably, Lydia mixed the acclaimed Russia 1985–1999: Traumazone, which went on to win the BAFTA for Best Specialist Factual in 2023.

Lydia brings a thoughtful, detail-oriented approach to every mix, with a strong sense of how sound can elevate storytelling. Her work reflects both technical skill and a genuine care for the craft.

Nick Fry is a highly respected re-recording mixer with 30 years of experience in the industry—25 of them spent at The Farm, where he is now Head of The Farm Audio department. Nick began his career as a runner and steadily worked his way up, driven by a deep passion for sound and storytelling. Throughout his career, he has worked across all genres, with a particular fondness for documentary and scripted comedy. He is always on the lookout for new technology, eager to explore the latest advances and how they can enrich the craft of mixing.

For Nick, collaboration is at the heart of everything he does, whether with his creative team or directly with productions.

A career highlight for Nick has been the phenomenal success of Formula 1: Drive to Survive, where he was proud to play a small part in its impact. Beyond that, he takes great pride in every project he works on. His dedication and craft have earned him numerous awards, including two BAFTAs, three RTS Awards, two Broadcast Tech Awards, a Cinema Audio Society Award, a Motion Picture Sound Editors Award, and two Emmy nominations—plus many other nominations.

Nuala Sheridan is a Senior Colourist at The Farm. Having originally studied to become a Broadcast Engineer, Nuala quickly realised that she needed more of a creative outlet, so she started working at Todd AO, a then Film Laboratory in Camden, where she became hooked on the art of film processing and telecine. That is where her journey began.

Over the last two decades, Nuala worked her way from Telecine Assistant to Senior Colourist, with a career that has taken her from London to Australia and onto numerous film sets. During that time she has collaborated with some incredibly talented creatives and filmmakers who have made her role feel very rewarding.

Having worked on film rushes for titles such a Bond and The Hurt Locker earlier in her career, Nuala built some strong relationships with DOPs and learnt the craft under real pressure. She has most recently graded high-profile scripted and factual content including Trying (Apple TV), Vienna Blood (BBC), American Nightmare and Get Gotti (Netflix). When asked what she loves most about her job it "is the ability to paint with light every day, collaborating closely with clients and helping bring their vision to life."

Tamer Osman is an accomplished Online Editor with four decades of experience in Post-Production. From the early days linear tape editing to today’s complex digital workflows, his breadth of experience has given him a unique perspective on both the technical precision and creative finesse required to bring every project across the finish line.

Among the many highlights of his career, Tamer is particularly proud of his work on impactful feature documentaries like Chernobyl: The Lost Tapes, Hell Jumper, and Antidote (Kill List: Hunted by Putin's Spies), as well as The Rise and Fall of Boris Johnson and the powerful The Undercover Police Scandal: Love and Lies Exposed series.

"Tam" thrives on complex, demanding projects that require coordination, problem-solving, and patience. His attention to detail and calm under pressure have made him an invaluable collaborator, especially when navigating the needs of directors and post teams.

With 25 years of experience in the industry, Tom Holborow has worn many hats—runner, librarian, VT operator, online and grade assistant, offline editor, and online editor—evolving alongside the changing landscape of post-production from film and tape to Avid and Flame.

His passion for editing was sparked by a Film and Television degree and an inspiring article about Scorsese’s editor being his most important creative partner. This journey has taken Tom across BAFTA-winning documentaries, beloved comedies, feature films, and a wide range of entertainment and reality shows, where he has always found something creative and rewarding in every genre.

Tom's approach to each project inspires a collaborative environment. His versatility and unwavering curiosity continue to drive his craft, ensuring that every story is told with skill, care, and creativity.

Tim Ellison is a Senior Editor at The Farm

Award-winning Senior Colourist TimO’Brien joined The Farm in June 2025, bringing nearly three decades of industry experience. Starting his career with a foundation in photography, Tim entered post-production handling daily rushes for feature films, working on titles including Trainspotting and Donnie Brasco at Midnight Transfer. He later moved into grading pop promos, commercials and television at Molinare.

After six years at Molinare, Tim went on to Fusion and M2 before joining Evolutions in 2007. Beginning as Senior Colourist, he rose to become Group Creative Director, leading a vibrant creative team across London and Bristol and shaping the company’s creative vision at board level. During this time, he worked on long-running series such as Top Gear, The Apprentice, and BAFTA-winning shows including Taskmaster, 24 Hours in Police Custody and Gone Fishing.

Tim has a strong passion for documentary storytelling and has been recognised with multiple award nominations forseries including The Detectives and Race Across the World, winning an Excellence in Grading award for SAS: Who Dares Wins. His recent feature documentary credits include Sven and Jerry Springer: Fights, Camera, Action for Netflix and Amazon. He has also graded numerous projects for Jamie Oliver and Gordon Ramsay which, unsurprisingly, has inspired a love of cooking outside the grading suite.

Tom is a Senior Sound Editor and Sound Designer who started his post career at The Farm as a runner and successfully worked his way up.

With a deep appreciation of the impact sound and music have on storytelling, he thrives on discovering how sound and sound design can bring stories to life in a unique and powerful way.

With a wide variety of projects under his belt, some of his career highlights so far include Twister: Caught in the Storm, award winning Formula 1: Drive to Survive, and Diamond Heist.

Will is a multi-disciplinary Sound Designer, Mixer, and ADR Recordist with over 16 years of experience spanning film, episodic television, high-profile advertising campaigns, kids’ TV, and games. His work has taken him to some of the industry’s leading facilities, including GCRS, Disney, Deluxe, Bubble TV, and Craft Worldwide.

In the Commercials world, Will has crafted immersive soundscapes and music for global brands such as Aldi, Pernod Ricard, Disney, and Samsung—delivering exceptional audio experiences across campaigns. His ADR expertise includes an impressive range of titles, from Wonka, Mufasa, Rebel Moon, Castlevania, Dungeons & Dragons, Atomic to The Tourist.

Beyond his Commercials work, Will’s recent credits include trailers for William Tell, Ballerina, and Seeds of a Sacred Fig, as well as extensive voicing for AAA game Hogwarts Legacy and sound design for charities including RNIB, Mind, and Llamau. Passionate about sharing his knowledge, Will has spoken on sound for APA, Post Super, and at various events and schools—mentoring and helping junior colleagues grow in their craft. When he’s not working with sound, Will channels the same precision and creativity into his other pursuits—carpentry, rescue diving, and cycling. Whatever he’s working on, Will brings a unique mix of obsession, attention to detail, and artistic flair.

With a decade of experience and a deep passion for sound and storytelling, Will is an accomplished re-recording mixer known for crafting immersive audio experiences across film, television, and digital media.

He has worked on a wide variety of high-profile productions, including Paul and Bob: Gone Fishing, Joanna Lumley’s Spice Trail Adventure, The Traitors USA, and the long-running entertainment hit Britain’s Got Talent.

Will has a strong background in dialogue, music, and effects mixing, and brings creative precision and technical expertise to every mix. Whether enhancing quiet, emotional moments or shaping bold dramatic moments, he is dedicated to delivering high-quality audio that elevates every story.

After finishing Film school in Dublin, Aidan Farrell began his career in animation, working as a film cameraman with legendary filmmaker Don Bluth on classics such as The Land Before Time, All Dogs Go to Heaven, and Rock-a-Doodle.

Now an Emmy, BAFTA, and four-time RTS award-winning colourist, Aidan has built an extraordinary career spanning animated feature films to an expansive body of work across multiple content genres. Beginning at Windmill Lane in Dublin and later honing his craft at Molinare and The Farm in London, Aidan has colour graded more than 2,000 music videos, commercials, and branded content for leading global artists and companies.

His extensive portfolio also includes a wide range of television programming—from high-end drama and documentaries to comedy, factual, music, and entertainment formats. In 2012, Aidan was honoured with the BAFTA Special Award, recognising his outstanding contribution to the industry.

Working across multiple genres, Beth’s BAFTA and RTS nominated projects spotlight her skills in Flame artistry. With eight years under her belt, Beth has established herself as a talented, calm, collected and efficient editor.

Beth is a Flame artist with a variety of prestigious projects behind her. From documentaries and entertainment such as Louis Theroux: Inside The Manosphere, Gordon, Gino & Fred and Paul O’Grady For the Love of Dogs, to scripted content; Such Brave Girls. Beth's work ethic brings detailed precision and creativity to all of her projects. Her dedication to ensuring creative visions are upheld and showcased is a driving force to get her projects delivered.

Louis is a Sound Editor at The Farm with four years of experience in the industry, working across short films, commercials, a documentary, and a feature film.

Specialising in audio post-production and sound design, he works closely with creative teams to help bring stories to life through sound.

Angela has been part of the post production world since moving over from Ireland in 2017. Before joining The Farm team, she was head of the locations department at Evolutions for over four years. She has worked on some of the biggest fixed rig projects, in some of the most challenging locations, building a mountain of experience and reputation in a short period of time.

From the high heats of the Wadi Rum desert to monsoon season in the Vietnamese jungle (which involved multiple kit and crew evacuations), to the freezing cold mountains of New Zealand, Angela has ensured the safe record, backup and rushes delivery on every job, despite the challenges thrown her and her team's way. She led the largest UHD fixed rig record in 2023 with Couple to Throuple, as well as overseeing Love Is Blind UK series one which was 128 streams. She has experience working with a range of different record setups including mRes, Cinegy and EVS.

She will work alongside clients from the beginning, ensuring a foolproof workflow is put together, specifically tailored to meet the clients' needs, while also being capable of overcoming any and all potential obstacles. Not only does she make sure the job is done efficiently, but she also ensures that her team delivers the best service possible.